Nicholas Galitzine & Anne Hathaway Shared Bathroom Meet-Cute In 'The Idea of You'

– Yes. (audience cheering) – Let’s settle down. (audience cheering and applauding) Man, so I just… Look, I don’t know if you’ve seen “Mary & George” or “The Idea of You,” his two projects. – I’m sorry. – Oh, come on. – So… – They could not. No, the only

reason why I’m saying that is they could not be more different. – No, I’ve heard. – She did, yeah. – I’ve heard. – Yeah. – They’re very different. – Yeah. I love that. Do you purposely do that, like in your career? I love when actors do that. ‘Cause

I like seeing people play completely different things. – Yeah. I think it’s important for me. I think, especially, in the last couple years, maintaining a sense of versatility in my work. – Yeah. – I think it just nourishes different parts of yourself, you know? – Makes it more

fun. – Yeah. – Breaks the monotony, yeah. – Well, it’s good you’re talented ’cause you’re not very attractive. (all laughing and applauding) – Thank you. – You’re not hard on the eyes. Yeah, that is true. – Very. (chuckles) – Hey, and I’m just saying you had like a

boy band other life because, or rock and roll. I was like, “Is it your voice?” – Yeah. – “You’re like really good.” – Yeah. – So

your new movie, “The Idea of You.” So explain to everybody what it’s about. – Yeah, well, it’s about a woman, Solene Marchand

and a young man, Hayes Campbell, who I play and their love story. It’s about this woman who’s turning 40 and really she rediscovers a sense of her sexuality, and sort of autonomy I think you could say in some sense, and she finds it- – And identity from the

broken marriage. Yeah. – Totally, and she finds this… She meets this young man who she doesn’t, you know, expect to connect with, but they have this sort of instant simpatico. – Yeah. I love how y’all meet. It’s hilarious. – It’s a pretty amazing meet cute. – Yeah. –

I don’t think anyone’s done a bathroom meet cute- – No. (Jean laughs) – In the restroom is the word. – In a very clever way to meet someone, just saying. – Yeah. – So wait, Tony Curran was just here and he injured you. He told us that he

injured you on set. He headbutted you. – He gave me the Glasgow kiss. – Oh. (audience laughing) – So we were doing an intimate scene. – Got his chin open. – That’s oh. – You know what? That’s actually not from that injury- – Oh, it’s not. – That’s

from a separate injury. – Oh. (audience laughing) That’s a separate one he did. – That was a shaving actually. – Yes. Yeah. He sliced my chin open with his ring on that occasion. But I think I deserved it and I won’t… No spoilers but the Glasgow kiss was

during a very intimate scene and I thought we were sort of… We were feeling, we were connecting in the moment. And Tony, as you’ve met, you know, he’s a very wild- – Love. – Person. – Fell in love with him. – The best guy ever. – Yeah. –

But yeah, he decided to headbutt me, which kind of ruined the vibes of the scene I think. (audience and Kelly laughing) But yeah, I got injured a few times. I broke my ankle in the jobs. – Oh my God. – Well, okay, so I have the utmost respect

for anyone who wears heels because I had to wear a bunch of heeled shoes. – Yes. – As you know, being a period piece- – Yep. – And stupidly I did this stunt where it’s running across one of these sort of very polished stately homed floors. – Oh.

– And yeah- – Oh. – Tanked and went 90 degrees. – Oh. – Yeah. – Yeah. – That sucked but- – We are warriors. – I agree. – Just saying… – I agree. – We do that every day around- – Incredible. – New York City. I do watch,

walk across those women though wearing like stilettos and I’m like, “Who are you impressing?” Like, I don’t understand. (audience laughing) Like, and I hope it works ’cause you are working hard for that. – Yeah. – That I’m just saying. But you play George in “Mary & George” and

I was just saying that they could not be more different. So why sign on to do something like this? Have you always wanted to do something in this film? – Yeah, I definitely have always wanted to work in it a period piece, albeit, you know, one that felt

sort of quite different for the genre, I think, which “Mary & George” is, you know? – Mm. – It has a provocativeness to it, it has an edge to it, I think. And you know, it was very funny. But the day before I got the call to be

asked to play George, I was watching one of… I think I was watching “Still Alice” while I was shooting “The Idea of You,” which is not exactly self-care, but I was thinking I would love to work with Julianne Moore- – Yeah. – And then the next day they

called me and offered me the role and- – Wow. – Yeah. It was kind of a no brainer. – Oh, and her character is insane. That mother, like in how they had to navigate. – She’s the original momager. That’s what we like to say. – Oh, yes. –

Yeah. – Oh, this should be a case study in some class- – That’s true. – Yes. – At some college. It was like insane. – Yeah. Like what happened. Anyway, it’s really, really great.

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